Never mind spare body parts. In Maggie Gyllenhaal’s The Bride!, our eponymous newlywed is composed of three entirely separate and competing personalities. There is Ida, a seeming gangster’s mol hanging out in 1930s Chi during the post-Prohibition boom when we meet her;

Meanwhile, Frankenstein’s monster (Christian Bale) has become so agonizingly lonely in his century of undead existence that he seeks out the eccentric Dr. Euphronius (a wonderfully wry Annette Bening).